Paul Higham

Paul Higham

Using the internet as an installation space since 1993 and engaging in research fellowships /residencies in Rapid prototyping/3d printing /V.R.medical visualization labs in the US, harnessing these emergent technologies to produce digital art, starting this inquiry at Goldsmiths College of Art,London University in the early 70s using new media /video and sound . In 1995 coming over from England to organize and curate "4th dimension pocket"for the "City of Glass".British Arts Council I.T. festival at the University of Minnesota : developing the internet as a performance/ telecommunication sculpture/installation area Now using A.I./ virtual reality, haptic force feed back and rapid prototype /3d printing to directly engage the algorithmic generation possibilities of cyberspace.

About His Piece For FP 10: SPACESAMPLER WORLD SERIES

"SPACESAMPLER WORLD SERIES",An evolving internet tele-communication sculpture…

"sampling symbols icons and hotspots from around the world"

definition: :

Spacesampler series: is an international project sampling in London,New York,Paris using 3d scanners to induct real world coordinates into the datum space of the computer, this is the starting point for an evolving series of art works.and internet

bio-art{Autotecture}

The project consists of the remote 3d laser scanning iconic objects;such as the Statue of Liberty, Ronald Mcdonald ,Dow jones etc. thereby capturing real world form by using telemetric scanners to digitize objects volume by volume at a distance. The abducted coordinates of that object are then turned into a digital mesh or virtual 3D representation. Evolving algorithms may mutate the form after it has been sampled not unlike a virus.

"It may be likely to assume that this form of sculpture ‘SPACESAMPLING’ may have the same effect on creating sculpture as sound sampling had on music"

Recent solo show :at the Contemporary arts center New Orleans combined these paradigms and was a rounding off of the work of the past five years.

The works on show in New Orleans were part of the "Spacesampler tour" series. The sculptures were made/Sampled in Paris{3d systems wax thermojet},Downtown Chicago{Daly plaza} and Minneapolis {Anurag foundry} the "Spacesampler" tour visited London,New York, Paris where parts of the classical sculpture,"NIKE, the Winged Victory of Samothrace" were digitally sampled at the Musee de Louvre.using the Minolta 3d scanner .The rapid prototype{3d print} of right hand of ‘Nike’ has been on exhibition at the Contemporary Arts Center New Orleans: where the virtual model is simultaneously installed on the internet and can be interacted with /viewed at: http://www.spacesampler.com/3rd.html

"I am using 3d telemetric scanners to induct real world coordinates into the datum space of the computer / this is the starting point for "Autopoetic generation",as the

"telecom-vector object" is evolved in virtual space and may have an emergent open ended destiny and have resistance to metaphor."

:"I am for an art that posits autopoesis of form ,that may seed and generate itself within the computer matrix: I call this AUTOTECTURE."

.

"the work is therefore output as a rendering or ‘snapshot’ of the algorithms state of evolution, an emergent "footprint" of development in autonomous space, in the same way a tree, flower or fish is a recording of its own evolution,evident. signatures of their own trajectory and synthesis over time".

"I am for an art that uses technology to open up and reveal new perceptual discourses towards a new conceptual art generated in a conceptual space : art being generated and evolving in the "tropic" space of the computer and the internet where a new species of form may evidence and evolve under its own power".

"I am therefore using internet "space" to conceive/ farm/engineer bio-art and maintain works as an alternative to the pre-digital stationary,non evolving traditional conceptual arts"

 

.Copyright Paulhigham 2000


Paul Higham's SpaceSampler Website

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