Chris Strouth
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(where the Buck Stops) is a conceptual theorist, the director and founder of Future Perfect. He is the Chief and sole employee of UltraModern, a company based on furthering of new music. For the past five years he has been on the curatorial panel of the American Composers Forum's Sonic Circuits. currently he is the head of artist and product for TRG Records (Twin Tone Record Group). |
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He was a producer/writer/ and host of the experimental TV program "What." Dr Strouth founded Red Eye Collaboration's Difficult Music series. Strouth was the curator for many years for Club Scandofari/ Hair Police. As a writer he has done a weekly column on music and youth culture for America On-line as well as a column on electronic music for Pulse. as well as co-authoring two play (Tales of the Enchanted Tiki Room" and " Teenage Makeout Party") As an artist he has designed album covers for Marlee MacLeod, Funkytown (soundtrack) Dylan Hicks, the University of Minnesota, and the American Composers Forum. as well as doing all the Future Perfect design |
Dr. Strouth has curated programs at the Walker Art Center (Future Perfect 4), the Frederick R. Weisman Museum of Art (Future Perfect 5 " Transcending the experience") Intermedia Arts (Your My Guitar Hero, new works for Avant Garde Guitar", 'Imaginary Landscapes" and Future Perfect 6 "Drop the Needle") |
He has recorded with groups: A Most Happy Sound(With Carty Fox, & Lorren Stafford), Seduction of Timothy (with Geoff Seelinger & Bob DeMaa), Ex-Boyfriends of Pamela (with Jim Reay) , and seminal 80's noise expermentalists King Paisley. Strouth at one time or another has been involved with the following projects in varying capacities:Rifle Sport art , U.X.B. Hair Police, House Nation, House of Fun, Depth Probe, Cyber Church, and a host of other things he simply can't remember. |
Chris Strouth Sites: